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Read online La fenomenologia dello spirito. Sistema della scienza.pdf PDF, EPUB, MOBI, TXT, DOC La fenomenologia dello spirito. Sistema della scienza Nell Europa agitata dalle guerre napoleoniche il lento travaglio speculativo di un professore di filosofia dal futuro ancora incerto d vita alla Fenomenologia dello spirito L opera fra le maggiori dell idealismo tedesco restituita al suo contesto invita a diffidare di quell assoluto di cui Hegel a Jena ha imparato a contestare la pretesa fondamentalista In una serrata e affascinante narrazione il lettore diviene fin dall inizio spettatore e compagno lungo la via del dubbio e della disperazione dove la coscienza incontra le diverse figure che ai suoi occhi incarnano la presenza del senso salvo verificare drammaticamente a ogni passo l instabilit della certezza di volta in volta conquistata Il divenire sfida il logos a rendere fluido un pensare che tende a irrigidirsi e la filosofia post rivoluzionaria sperimenta cosi la legittimit e insieme le dolorose conseguenze delle proprie pretese emancipative L inesauribile ricchezza del capolavoro hegeliano ne ha fatto un termine di confronto privilegiato per le filosofie del XX secolo e ancora per il dibattito attuale la Fenomenologia dello spirito continua a rivelarsi quell autentico spartiacque della modernit su cui come ebbe a scrivere Karl Rosenkranz lo spirito dell umanit ha dovuto soffermarsi onde render conto a se stesso di ci che era divenuto by Georg Wilhelm Friedrich Hegel, Gianluca Garelli

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La fenomenologia dello spirito. Sistema della scienza
Title:La fenomenologia dello spirito. Sistema della scienza
Format Type:eBook PDF / e-Pub
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ISBN:8806124978
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Number of Pages:558
Category:Non fiction, Philosophy, Classics, German literature
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Introductory Lectures on Aesthetics, Preface to the Phenomenology of Spirit, Aesthetics: Lectures on Fine Art, Vol 1: Introduction & Parts 1-2, The Encyclopaedia Logic: The Encyclopaedia of Philosophical Sciences 1 with the Zusatze, Reason in History, The Philosophy of History, Elements of the Philosophy of Right, Phenomenology of Spirit, Science of Logic, Introduction to the Philosophy of History with Selections from The Philosophy of Right
This brilliant study of the stages in the mind s necessary progress from immediate sense consciousness to the position of a scientific philosophy includes an introductory essay and a paragraph by paragraph analysis of the text to help the reader understand this most difficult and most influential of Hegel s works, Preface br Introduction br Note on the Text br The three methods of writing history br Reason as the basis of history br The idea of history amp its realization br The idea of freedom br The means of realization br The idea amp the individual br The individual as subject of history br The individual as object of history br The State br The State as realization of the idea br Law as realization of freedom br The legal foundation of the State The Constitution br The religious foundation of the State br The course of world history br The principle of development br The origin of history br The pre history of reason br The State as condition of history br The historical role of language br The course of development br The principle of a people br The dialectic of national principles, i Librarian note an alternate cover for this edition can be found a href https www goodreads com book show introductory lectures on aesthetics rel nofollow here a i br br For Georg Wilhelm Friedrich Hegel art almost ranked with religion and philosophy in its power to reveal the fundamental nature of existence But although he lived in the German golden age of Goethe Schiller and Mozart he also believed that art was in terminal decline br p To resolve this apparent paradox as Michael Inwood explains in his incisive Introduction we must understand the particular place of aesthetics in Hegel s vast intellectual edifice Its central pillars consist of logic philosophy of nature and philosophy of spirit Art derives its value from offering a sensory vision of the God like absolute from its harmonious fusion of form and content and from summing up the world view of an age such as Homer s While it scaled supreme heights in ancient Greece Hegel doubted art s ability to encompass Christian belief or the reflective irony characteristic of modern societies Many such challenging ideas are developed in this superb treatise it counts among the most stimulating works of a master thinker br br Table of Contents br Introductory Lectures on Aesthetics Introduction A Note on the Translation and Commentary br INTRODUCTORY LECTURES ON AESTHETICS br br Chapter I The Range of Aesthetic Defined and Some Objections against the Philosophy of Art Refuted br Aesthetic confined to Beauty of Art br Does Art merit Scientific Treatment br Is Scientific Treatment appropriate to Art br Answer to br Answer to br br Chapter II Methods of Science Applicable to Beauty and Art br Empirical Method Art scholarship br a Its Range br b It generates Rules and Theories br c The Rights of Genius br Abstract Reflection br The Philosophical Conception of Artistic Beauty general notion of br br Chapter III The Conception of Artistic Beauty br Part I The Work of Art as Made and as Sensuous br Work of Art as Product of Human Activity br a Conscious Production by Rule br b Artistic Inspiration br c Dignity of Production by Man br d Man s Need to produce Works of Art br Work of Art as addressed to Man s Sense br a Object of Art Pleasant Feeling br b Feeling of Beauty Taste br c Art scholarship br d Profounder Consequences of Sensuous Nature of Art br Relations of the Sensuous to the Mind br Desire br Theory br Sensuous as Symbol of Spiritual br The Sensuous Element how Present in the Artist br The Content of Art Sensuous br br Part II The End of Art br The Interest or End of Art br a Imitation of Nature br Mere Repetition of Nature is br Superfluous br Imperfect br Amusing Merely as Sleight of Hand br What is Good to Imitate br Some Arts cannot be called Imitative br b Humani nihil br c Mitigation of the Passions br How Art mitigates the Passions br How Art purifies the Passions br It must have a Worthy Content br But ought not to be Didactic br Nor explicitly addressed to a Moral Purpose br d Art has its own Purpose as Revelation of Truth br br Chapter IV Historical Deducation of the True Idea of Art in Modern Philosophy br Kant br a Pleasure in Beauty not Appetitive br b Pleasure in Beauty Universal br c The Beautiful in its Teleological Aspect br d Delight in the Beautiful necessary though felt br Schiller Winckelmann Schelling br The Irony br br Chapter V Division of the Subject br The Condition of Artistic Presentation is the Correspondence of Matter and Plastic Form br Part I The Ideal br Part II The Types of Art br Symbolic Art br Classical Art br Romantic Art br Part III The Several Arts br Architecture br Sculpture br Romantic Art comprising br i Painting br ii Music br iii Poetry br Conclusion br br Commentary p, Hegel wrote this classic as an introduction to a series of lectures on the philosophy of history a novel concept in the early nineteenth century With this work he created the history of philosophy as a scientific study He reveals philosophical theory as neither an accident nor an artificial construct but as an exemplar of its age fashioned by its antecedents and contemporary circumstances and serving as a model for the future The author himself appears to have regarded this book as a popular introduction to his philosophy as a whole and it remains the most readable and accessible of all his philosophical writings br Eschewing the methods of original history written during the period in question and reflective history written after the period has passed Hegel embraces philosophic history which employs a priori philosophical thought to interpret history as a rational process Reason rules history he asserts through its infinite freedom being self sufficient it depends on nothing beyond its own laws and conclusions and power through which it forms its own laws Hegel argues that all of history is caused and guided by a rational process and God s seemingly unknowable plan is rendered intelligible through philosophy The notion that reason rules the world he concludes is both necessary to the practice of philosophic history and a conclusion drawn from that practice